Ever since I left University, I have looked for opportunities to make art to a theme and on a deadline. That was one of the things I loved about being in school. I am good with deadlines, and while I don't really plan out my work before I get started, aside from the medium I plan to use, I do like to have a direction to go in.
Authentically Me by Tiffany Teske
Encaustic collage on wood
6x6"
I created this for the Cloth Paper Scissors "A Little Me" challenge. It is called "Authentically Me". It is a 6x6" encaustic collage. I first used a colour copy of a gelatin monoprint I made using a self portrait image I took of my own feet and hands. I combine a black and white copy of the image with printmaking inks and a flower which left a negative print. I combine the colour copy of the monoprint with beeswax, then using a stylus I hand wrote adjectives I would use to describe myself. I then rubbed a Shiva paintstik in iridescent copper over the words and removed the excess. This piece is "authentically me" because it is how I see myself and because it contains flaws in my spelling and hand writing. I don't generally plan out all aspects of my pieces so I accept "mistakes" as something that happens when a real person makes art. Perfection is impossible and can get in the way of making good art. This piece also includes a wire bird nest with gemstone bead eggs that I made. Much of my work contains birds, feathers, eggs, and nests, so it just seemed right to include it as one of those things people identify with me and as something that is close to my heart.
Detail of Authentically Me
I am Unique (Like Everyone Else) by Tiffany Teske
Encaustic collage
6x6"
This is another submission for the Cloth Paper Scissors challenge. It is entitled, "I Am Unique (Like Everyone Else)" because it is true and because I have always liked that saying. It is a 6x6" encaustic collage. It has many layers and meanings. I started with a colour copy of a Polaroid transfer of a self portrait I made on handmade paper. I layered beeswax on top of the copy, and then, using a stylus, I hand wrote information about me across the piece. I then rubbed a black Shiva paintstik over the words, then layered it with more wax and fused. I added a feather and ribbon, two eggs (one that is broken and contains another egg), a wire and gemstone bead nest I made, and a twig I painted, distressed, and added vintage paper flowers to and dipped in wax. I made a little pouch from a wire edged ribbon, sewn together with wire, that contains the word "remember" and some turquoise beads. Turquoise is said to take on the characteristics of its owner. I selected the word "remember" because much of my work has to do with memory. The eggs represent my children and the nest the home I have created. Much of my work contains birds, feathers, eggs, and nests. This feather represents my travels through life and the ribbon my childhood. The flowers represent growth. I made them on a twig because I derive a lot of inspiration from nature and I live in a National Park.The phrases are personal things about me. The whole piece is a bit complicated, and eclectic, like me.
I am Unique (Like Everyone Else) Detail
I am Unique (Like Everyone Else) Detail
I am Unique (Like Everyone Else) Detail
I am Unique (Like Everyone Else) Detail
My Skin by Tiffany Teske
Encaustic collage
6x6"
And for my last submission to the CPS challenge... It is entitled, "My Skin". It is a 6x6" encaustic collage. I started by writing my thoughts onto carbon paper with tissue beneath. I then added the tissue to my substrate using wax. Next, I transferred a colour copy of a Polaroid emulsion lift self portrait I made onto my encaustic surface. I added the words, "I feel comfortable in my own skin" to the wax surface by writing with a stylus onto carbon paper. I added a wire and gemstone bead nest I made, a feather I found while out exploring with my daughter, and a distressed ribbon in my favourite colour, dipped in wax. The nest represents the home I have created, the feather my need to travel and discover, and the cheerfully coloured ribbon ties these things together, bound by the wax, as they are entwined in me.
My Skin Detail
Thanks for taking a look at my work... I am always happy to share it!
And I always will... This is the place to view all my creative work with Polaroid. I hope it will inspire and delight you. I teach several Polaroid processes. If you are interested in setting up a workshop, advice on Polaroid, or want to share your work with me, please email me by clicking on my profile below or comment in one of my posts. Cheers! Now go SHOOT something!!
Saturday, September 3, 2011
Friday, September 2, 2011
So Long Summer...
Summer (and Childhood) Fades Away...
By Tiffany Teske
Polaroid 600 Silver Shade
It has been ages since I posted here. I apologize to any of you who have been disappointed. Summer took over, as it does. I live in the Canadian Rocky Mountains, where yesterday, there was new snow on the mountain tops. We only have about a month of beautiful summer weather in these parts, and I tried to make the most of it. Soon, the snow will fly, and I will be inside, toiling away at my art and photography. And blogging more, I promise...
By Tiffany Teske
Polaroid 600 Silver Shade
It has been ages since I posted here. I apologize to any of you who have been disappointed. Summer took over, as it does. I live in the Canadian Rocky Mountains, where yesterday, there was new snow on the mountain tops. We only have about a month of beautiful summer weather in these parts, and I tried to make the most of it. Soon, the snow will fly, and I will be inside, toiling away at my art and photography. And blogging more, I promise...
Saturday, July 9, 2011
New Work - Maternity Shoot for Polaroid Transfer Originals
Commissioned Polaroid Transfer 2011
This may be one of my final Polaroid transfers. After stocking up on 669 film after Polaroid announced they would cease to produce it, people would ask me what I was going to do when it all ran out. Well, I have had a good long run with Polaroid processes, and I like change. If you do something for too long you run the risk of falling into a rut. I decided that when my 669 was gone, I would either stop and do something else or I would find a new way to make transfers and emulsion lifts. I will write more on what I have decided to do, soon. But for now, I wanted to share that I am down to one box of 669 (!!). And in the past month I have had a very exciting time using up my expired film. It has not been without incident, though, since the chemistry has been acting up. Everything I have made in the past year or so has had sepia toned streaks that no matter how many times I cleaned my rollers, I could not stop. While part of the ArtsPeak Studio Tour this year, I gave demos on transfers and emulsion lifts. I had 6 hours straight two days in a row to work. At this point, I had already shot a maternity session, that I was hired to do because the mom-to-be was enamoured with a transfer (you can see it below) I had given to my midwife, who is also her midwife. She commissioned me to make two transfers. But that weekend I began to wonder if I was going to be able to fulfill her request. But with the time to work I turned panic into a solution with some trial and error. I let the transfers that I had made dry, then I put them back in water and rubbed off the brown staining with the tips of my fingers. It worked remarkably well. And it made me feel really good that after 10 years of working with this process I was able to learn something new, something that would also save the day on this commission. Phew! I am so glad I could make this image...
The inspiration for the above transfer was an image I made if my dear friend, Cristina, when she was pregnant with her son, Francis. I think this was taken in 2004, but my memory is not as good as it used to be...
Tuesday, June 28, 2011
Off to a Good Home in Hawaii - "Becoming Whole" Polaroid Emulsion Lift Original
For me, a lot of creating art is about the process. I am always thrilled with the final result, but am addicted to the rush I get while I am creating, or dreaming of when I will have the next block of time to create. That being said, there are some pieces that I am attached to. After all, creating each piece is actually birthing them, and how can you part with your children? One piece that is about to leave the nest is "Becoming Whole", a Polaroid Emulsion Lift Original that I created a few years ago. The image was originally shot on slide film, and one of my best friends, Jeanne, who lives in my old stomping grounds in Maine, is the model. The lift is on watercolour paper and is approximately 5x7". On an interesting side note, it caught the eye of artist, Darlene Olivia McElroy, who asked to features the piece on her website for her book, Image Transfer Workshop. She doesn't cover the process in her book but she wants to inspire others with examples of what can be done with transfers. Anyway, I am happy to share that this piece is going to a previous buyer whom I consider a friend. Arlene Solomon lives in Hawaii, and is a talented photographer and massage and movement therapist who purchased three of my Polaroid transfer originals for her studio. I am so excited that she also wants to give a home to "Becoming Whole". Maybe I will make it to Hawaii someday to see my work and Arlene at her studio...
Now that the original is sold I will be offering a limited edition of 15 5x7" prints of this piece for $30 each. If you are interested in a print, please leave a comment here.
Monday, June 27, 2011
ArtsPeak Studio Tour 2011
What an amazing weekend! I am still on cloud nine. I was asked awhile back by the Edge Gallery in Canmore, to be part of the Canmore ArtsPeak Art Festival, by being part of their leg of the studio tour. David and Kathy Foxcroft, who run Edge Gallery, have some of my Polaroid transfers in their gallery, and I was part of a group show there last summer. David creates amazing collages and I have had some good conversations with him about art. He and Kathy were introduced to me by my talented (and amazing) friend, Barb Fyvie, whom I met when I took part in an exquisite corpse art collaboration in 2009. You know those people who just make you smile when you think about them? Anyway, I jumped at the chance to be part of the studio tour, both because of the fun I was sure to have, and because my hubby was available for the weekend, and it would mean 6 solid hours, TWO DAYS IN A ROW, of child free art making. Now you all know how much I LOVE my kiddos, and making art with them, but sometimes, Mama needs her time alone...
Our studios were in Silver Creek in Canmore. They are units that are for sale, and they have both a living space, and a studio/retail space. Very cool, and if Andre and I were empty-nesters, I would jump at the chance to live in a home where I could also have a studio and gallery. The Edge Gallery is one of these units, as is the Virginia Ann Hemingson Art Gallery. The ones we were in were bare bones, large, light filled spaces with plenty of wall space for exhibiting our work. I must say that I am not the best display person, so I just hung all my work salon style and set up my table to work on. But, fellow artists, Larissa McLean, and Annie M. Froese, effortlessly TRANSFORMED their space into a garden of colour. I have no idea how they did it. They travelled all the way from High River to be there, and they opened the doors to their van and a garden came pouring out! I wish I would have taken pictures... hopefully they took some!
On Saturday, I had my space all to myself, which was heavenly. Not that I didn't want a neighbour, but I am just as happy to be alone as I am to social. Barb, who was participating in the weekend, as one of the en plein air painters at the gallery, greeted me and helped me to set up. I was super excited for the demos I would be giving. On 10:30 AM each day, I "formally" demonstrated Polaroid transfer, and at 2:30 PM, Polaroid emulsion lifts. That is what I was scheduled to do in the newspaper advertisement, but I worked all day in both processes, as people gathered around to watch. Many were very interested, maybe because of my enthusiasm. I am so passionate about making art, any kind of art, but Polaroid processes are my old friends. You know the ones who you don't have to see for a long time, but when you finally do you just fall back into step like no time has passed? I could make a Polaroid transfer in my sleep. And after years of teaching the process, it was fun to demonstrate it for an audience that was just there to listen and watch. I have never actually done that. And I printed several images that I have never tried before.
One Sunday, my studio mate joined me. I was excited all morning to meet her. Shannon Williamson, from Calgary, works in encaustic. I couldn't wait to pick her brain. She was so so lovely from the moment I met her, and her husband, Doug. Doug, went off to oil paint, en plein air, and Shannon gave an encaustic demonstration for most of the day. And patiently answered my questions. I learned a great deal, both about encaustic, and about pricing my work, since Shannon works at Wallace Galleries in Calgary. I have been an artist my whole life, but pricing is still such a sticky issue... I am grateful to Shannon for her generosity, both in teaching me, and in purchasing some of my work. I look forward to seeing her again.
I was really surprised by the turn out on Sunday as opposed to Saturday. And it was busiest at the end of the say on Sunday, which is not common in weekend shows I have done. I had more sales than I anticipated and I gave 20% of that to Mountain Arts for next year's festival. I was not look at this as a selling opportunity, mostly as time to work, to meet other artists, and to learn a thing or two.
And speaking of meeting other artists, I also briefly met Lucie Bause, of Canmore, whose Portal XII, just became Canmore's newest public art piece. And Karin Millson, of Calgary, whose demonstration, entitled "Sewing Machine Abuse" caught my eye the minute I saw it advertised in the newspaper. Unfortunately, I was so busy all weekend that I never did get to go and learn from her, but I plan to pay her a visit. And I also plan to visit Larissa and Annie in High River. I would like to photograph the beautiful Larissa in the wonderful Victorian hats and clothing that she owns, among her colourful gardens, and to see Annie's gallery. Maybe I will make the trip with the one person I met this weekend whom I have been waiting to meet. Sometimes, there is a person that EVERYONE I know seems to ask me if I know. And I don't know them. And it shocks everyone... well, that person walked right in to my studio at the end of the day. Her husband had seen my demos the day before, but since she was giving a workshop in bookmaking(the legal kind) she had not been with him. I recognized him from the day before. And the minute this woman started talking I KNEW who she was. I had been waiting to meet her. AND not 10 minutes before, I had been talking about her with my new friend, Adrienne Lawlor, whom I had exchanged emails with but whom I accidently met in person that day... the woman whom I am quite sure I will be making a lot of art with is Dea Fischer. Things happen when they do for a reason... and I always approach each art experience with an open mind, because I just never know what is going to happen... and that is my favourite part about every day.
Saturday, June 25, 2011
My First Highline Magazine Blog Post
My daughter Quinlyn was born in Quebec but is now an official mountain girl...
Polaroid Spectra double exposure by Tiffany Teske
I am a big fan of Highline Magazine, the best read in all of the Bow Valley. The shiny glossy print mag comes out twice a year, which is just too seldom. To remedy this, Highline decided to start a blog. If that was not exciting enough, they then contacted me about being one of their regular bloggers, and, but of course, I said YES! Now, I am on my way to becoming a regular contributor to the Art + Soul department of the Highline blog, yeah! And my first post when up this week. Entitled, Banff Becomes This Gypsy Girl, it is about how I came to live in the Bow Valley. Please check it out and let me know what you think. Better yet, let me know how you ended up in the Bow Valley, or wherever you live. We ALL have a story...
Myself against our Rocky Mountain backdrop...
Polaroid Spectra double exposure by Tiffany Teske
Labels:
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Highline blog,
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Sunday, May 8, 2011
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