Showing posts with label alternative photography. Show all posts
Showing posts with label alternative photography. Show all posts

Wednesday, January 19, 2011

New Series - Childhood - Yet to be Named... - #2 - Alberta Corn

Alberta Corn
By Tiffany Teske

I am still thinking on a name for this series. You can read a bit about it in this post.

Tuesday, January 18, 2011

New Series - Childhood - Yet to be Named...


I have been waiting to start posting this images because I have not given the series a title yet... but I am just going to go ahead and it will come... This series is shot on Polaroid 669 film using a Holgaroid back on my Holga. They are all images of my daughter. My daughter looks pretty much exactly the same as I did as a child and these images are all of her doing things I had a memory of experiencing as a child. This series is like watching myself as a child, while at the same time reliving the memories, but also watching my child experience them for the first time. They are not set up, in the sense that I have not made her to do these things, but I have just brought the camera a long and photographed what was happening at any given time. They are all things most children experience, such as a birthday party, playing make believe, or falling down while trying to learn to ride a bike. This is an ongoing series.

Tuesday, April 28, 2009

Feature Article in PhotoEd Magazine


I have long been a fan of PhotoEd Magazine. I was first alerted to this publication when my friend and fellow photographer, Angela Marklew, was featured in their book arts issue. I have submitted to them twice, and the first time I had one of my Polaroid transfers featured in their Reader's Gallery. I blogged about it here.

The second time I submitted, they were looking for portfolio submissions by photographers who were working in historic processes. I contacted Felix Russo, the magazine's publisher, and asked if Polaroid processes would be considered. He was looking for photographers working in all alternative processes and asked me to submit some of my tranfer work. I sent him two bodies of work, my Seeing Double Polaroid Spectra Series, and Personally Created Iconic Memories (which I need to upload to Picasa or Flickr...). Six images from Iconic Memories were selected to appear in the magazine and I was asked to write about the series. I received both a contributor's credit on the magazine's masthead, as a writer, and then had my article in the contents and in the magazine.

No matter how many times I have seen my work in print, as a professional photographer, it is always exciting. I am thrilled to be in full color, across two pages, of this wonderful Canadian publication. And especially to be in THIS issue. It is the 25 issue, called Photography Revisited. It features many talented photographers working in processes from albumen printing to cyanotype toning to pinhole and toy camera photography. I have read about half way through the issue, and I can't wait to get online to check out even more of these artists' work.





Here is Mr. Russo's editorial for this issue:
"With this issue we celebrate a milestone, our 25th issue — a good time to reflect on what photography is and why photographers are fascinated with their art of choice. PhotoEd has always considered that photography is not a singular activity with a uniform approach. In fact, one of the lures of photography is the almost infinite paths that it offers to anyone setting out on a journey of photographic exploration. The sum total of all photographic discoveries, inventions, and processes are available for you to discover. The relation of past processes and present practices is symbiotic—mutually beneficial. Encompass the entirety of photography and you will be rewarded with many rich experiences. Thank you for taking PhotoEd along on your journey and for your support over the years.

The fall 2009 issue of PhotoEd will be a survey of post-secondary colleges, universities, and professional schools offering an education in photography. Consider having your school featured in this issue. Students attending these schools are welcome to submit their portfolios. The photographic universe is expanding at an accelerating pace and education will be your ticket to this new world."

If you are a student, what are you waiting for? Get together your best work and submit to PhotoEd....

I am a photographer for exactly the reason Mr. Russo talks about in his editorial. Photography doesn't present just one option, it is compilation of all things within its history. The options are unlimited, the possibilities endless. It is never the same. I am obsessed with photography. It is my passion. I am so grateful to be able to turn my passion into something that speaks to others.