A Dream Come True - My Article in Cloth Paper Scissors Magazine

I have been enamoured with one magazine for several years now. This love affair with Cloth Paper Scissors started slowly, smoldering as my collection of issues grew, and finally engulfed me after I gave birth to my eldest daughter, Quinlyn. I nursed her on demand, and she demanded so much that she was 26 pounds by 6 months old, and I felt literally trapped under a baby most of the time. I longed so much to work on my art, but never really had the energy, something that most people who know me will never hear me admit. I normally have oodles of energy! The time was bittersweet, since I loved my baby and most parts of being a new mother, but I missed my freedom. Making art is up there with the things that I need to do to live, like breathe and eat. I am not me when I am not being creative. I had some commitments, to a gallery show here and there, and I made what I could, but it was not nearly as much as I was used to. So, I decided if I couldn't physically make as much art as I wanted to, I would be creative in other ways, such as by cooking, photographing my baby, and by reading, reading, reading about techniques I wanted to try. The cooking and photographing came easy, as did the devouring of new techniques, but it was sheer agony not to be able to actually make much. The magazines that I spent the most time reading and rereading, next to Mothering and Vegetarian Times, were Cloth Paper Scissors and Somerset Studios. It was at that time that I made myself the goal of bring published in a magazine. As a photographer I had been featured in several newspapers. And since then, I have had work in Filament, Highline, and PhotoEd Magazines, as well as in the book, 1,000 Ideas for Creative Reuse. All awesome but my heart skipped a beat the day I received my advanced copies of the 37th Issue of CLOTH PAPER SCISSORS, the one that I wrote the Workshop article on Fuji film transfer processes for. I am so happy, proud, amazed (I am still pinching myself that I have been working with the amazing people at Interweave!!) and excited. I own every single issue of this magazine, I even has my mixed media quilt, I Need Your Kindness, appeared in the Muse Flash section several issues ago, but now I am one of only a small number of artists who have shared their knowledge in a Workshop article. CPS even challenged me to make a video of the technique to go with the article. I am on cloud nine. Thanks so much, CPS, Jenn Mason, & Barbara Delaney!

I have worked with Fuji and Polaroid film processes for over 10 years. I have always wanted to write about it...

I love this image of Editor, Jenn Mason, with her vintage Polaroid Land Camera from Ebay...

 

My bio, fun stuff!

Page one of the article, with two assemblages I made to accompany it.

Featured in the Light Leaks Gallery, the LAST Issue, Sniff, Sniff....

Light Leaks Magazine, Issue 19, Secrets

Light Leaks, Issue #19, arrived in my mailbox yesterday. It was a bittersweet moment, because I knew one of my images was being featured in the gallery, but I also knew it was the last issue ever. Yet another one of my favourite magazines is no longer being printed. Here is what Mike Barnes and his wife, Rachel, had to say about their decision, in an email sent out about 2.5 months ago:

"As you know, we have struggled to keep Light Leaks in print over the past year. We had an excellent plan—with the addition of the Light Leaks Shop and Holgapalooza we felt the financial difficulties could be resolved. Unfortunately those additions required more of our own time. With a growing young family, free time has quickly become our most precious commodity.

While we enjoyed working on Light Leaks over the years, we have come to a point where we must focus on our own careers to support our family. My own interest in toy camera photography has always been a hobby, not a profession. Unfortunately as much as I loved putting together Light Leaks I spent most of my time putting together a magazine about toy cameras, but not actually being able to use those toy cameras myself!

Contributing to each issue of Light Leaks magazine was (I think) an excellent use of my time, and I think all those who contributed will feel the same way. It was always a labour of love for an end product that never lacked in quality. For all of you that have been scoffed at for wielding your beloved low-fi cameras, Light Leaks represented you and why you love what you do.

For current subscribers, you believed in us, and we thank you for that. We would be honoured to have you consider your unfulfilled subscription a donation into helping us pay our final printing payments. We can offer you some of the remaining back issues that we have left, or some of the digital versions we have created (which also includes The Toycam Handbook), however supplies are limited. In addition to creating some revenue from the digital issues, we have had to sell off our entire store inventory to help get this last issue to you.

We will be closing the Light Leaks shop, but keeping www.lightleaks.org open along with links to the digital versions.

We want to thank you all for supporting our humble magazine, and especially to those who contributed over the years, particularly Gary Moyer, Steph Parke, and of course my wife, Rachel who did a lot of the work behind the scenes. Best to you all in your future low-fi photographic adventures!

Mike Barnes (toycamera@rogers.com)"

My little one...

...hamming it up

My image, Talking Walls, is a Holgaroid double exposure, made using a Holga CNF 120 with a Polaroid back. The original image is on chocolate Type 80 film from impossible project, which has shades of brown and pink, but it was printed in black and white for the magazine.

 My photography also appeared in Issue 13, Road Trip and Issue 14, Childhood.

Goodbye, Light Leaks. You were a stellar Canadian publication that toy camera lovers around the world will always remember fondly. Thanks so much!